Monthan Creative Designs
BILL MONTHAN:
I
was born in California, but have also lived in Nevada, Washington and
Arizona. New Mexico has
been my home for the past 32 years.
I was involved and exposed to art as a young boy under the
tutelage of my parents, Guy and Doris Monthan, an artist, designer, and
writer team, who collaborated on books and publications about Native
American Art. In 1968, I
travelled to museums and architecture sites throughout Western Europe in
preparation for entry into the Fine Arts program at Northern Arizona
University in 1970, where I studied all mediums offered until 1977.
In 1978, I won first place in drawing at a national art show in
Las Vegas Nevada. However, as many artists experience, it can be
difficult to raise a family relying only on art sales so I entered the
Healthcare field in 1977. In early 1980 I worked as a Respiratory
Therapist on a Trauma team in a Phoenix Trauma Center. During this time
I completed my Bachelor Degree in Healthcare Administration. In 1986 I
landed a Job as a Director Cardiopulmonary Services in a healthcare
system in Albuquerque. While holding that position, I returned to school
to complete my Masters in Business Administration. In 1996, I accepted a
Job with another statewide Healthcare system that led to a series of
Administrator/Director leadership positions ranging from a Heart
Program, to a Surgery Program, and wrapping up my healthcare career in a
network of Primary Care & Urgent Care Centers. In 2005, I lost the
vision in one eye due to a series of retinal detachments. This life
changing event changed my perspective and drove my focus on getting the
most out of the vision I had left in my other eye. When I retired from
healthcare in 2012 I focused on restarting my artistic interests/career.
While this impairment/challenge has slowed down the pace at which I can
produce art, it has made the journey of making art an even more
rewarding endeavor. My passion and excitement for the arts also
comes from a personal mission of continuous learning and experiencing
how other artists view and graphically depict the world in which we
live. Having lived in the
Southwest for most of my life, I have developed a passion for the
lighting, beautiful skies and the cultural sites that make this part of
the country so unique. My current mediums of interest are oil painting
and pastels, focusing on the design, composition and the lighting of my
subject.
Since my return to the art field I have been accepted into a number of
juried shows and tours such as Alameda Studio Tour, Corrales Art Studio
Tour, Art Corrales Fine Arts Show, Encantada Painting Exhibition, and
the Old Church Fine Arts Show.
|
Describe your
primary medium and
explain why you’ve chosen
it for your artwork.
-
Currently, my primary medium is Oil Paint. For many years, I worked with
pastels, but decided to experience a medium that allowed for more color
mixing and texture. While I loved working with pastels, I believe that every
medium offers a different artistic adventure and result. I found that with
oils, I can layer and mix colors to create depth in a different and more
permanent way.
When did you start working
with this medium?
How did you get introduced to this medium?
I first learned about oil painting watching my
father, an accomplished commercial
artist
and oil painter, during my youth. I was also introduced to oil painting in
my fine art college training during the 1970s. However, I
really immersed myself into oil painting in 2014 after I retired from
my healthcare profession. Since then, I have worked with
Deborah Wilcox, a very accomplished,
self-taught Corrales oil painter. Deborah has been very helpful to me
towards getting my bearings with oil painting techniques, and color mixing.
3.Have you always worked this medium? If not,
what other media have you used?
- I was an art major at Northern Arizona University in Flagstaff Arizona from 1970 to 1977. During that period I focused more on 3D art. I studied general sculpture, ceramics, Jewelry making both fabrication and lost wax casting. My other areas of focus were art history, drawing and etching. When I changed my vocation to healthcare, I continued drawing in pen and ink, as well as pastels, in my limited spare time. While employed in healthcare, I was frequently asked to illustrate policy and procedure manuals, as well as promotional and education publications. Additionally, as a member of the New Mexico Society for Respiratory Care, I designed their current logo and program designs which are used on T-shirts, promotional material and in convention programs.
How much time do you devote to your artwork?
-
My goal is to spend
two to three full days a week on actually making art. I consider myself a
slow working artist. To put an image to this, I could be compared to a
fast-moving sloth. Fast for a sloth or a turtle, but slow to all others. I
spend another day or so a week on art related tasks.
Did you teach
yourself or do you have formal education?
-
My learning spans
many different formal and informal experiences. Growing up, I watched my
father and his friend work in, and debate the arts. My mother was an author
and collaborated with my father on numerous publications on Native American
Art. Together, they produced three trail-blazing Native American Art books
and published many articles for the American Indian Art Magazine in the
1970s and 1980s. I was also exposed to many artists in fine arts, theatrical
arts, and music growing up in Los Angeles. I traveled Europe with my folks
going to art museums and architectural sites. So, while attending formal art
training in college I continued my learning in a more focused way.
What is your favorite aspect of what you do?
-
Making Art. One of
my favorite professors always said “Art is Everything”.
When we think of what defines our societies and various cultures in
the world, it boils down to human expression in its purest form. When we
want to gain insight into past civilizations, we study the arts of the time.
We study the cave paintings, and petroglyphs from thousands of years ago, or
sculptures and paintings from the Renaissance. For a brief moment, we time
travel to a time long ago, reflecting on what life was like, what they ate,
what they wore, what they loved, and what was most important to them in
their time on earth. I can’t count
how many times I have stood in front a work of art and posed the question;
“what is the artist trying to say or project through their work?” I think
there is a certain level of trust or assurance that most people have in the
experience of enjoying the arts. They trust or believe they are witness to
gaining a glimpse of what is in the artist’s heart and soul through viewing
their work.
-
I believe that
making and exhibiting art takes courage, because the artists are making
themselves vulnerable to criticism through their art.
What are your sources for ideas and inspiration?
-
The wonderful beauty in the world, both man-made and natural, that we are
exposed to every day of our lives is inspiring. The sky and clouds have
always been a big inspiration to me. My head is often in the clouds because
of their free form and whimsical to scary ever-changing formations. Light
is, of course, at the source of my inspiration.
The way we witness how light moves
through the atmosphere of our physical world is inspirational. That being
said, I also find inspiration in artists who do not live and work in the
world of light because they are physically blind. The blindness that they
experience does not affect their vision and ability to create some of the
highest forms of artistic expression. I find inspiration in watching any
artist develop and grow to the next level of human experience through a new
founded artistic skill, ability, or vision.
What obstacles do you encounter as an artist?
How do overcome challenges?
-
Most obstacles that get in my way of making art are self-imposed.
One obstacle is the fear that I may not have the skill or be able to make
the art that I am envisioning so that
people may not understand or like the
work. Another obstacle can be waiting for inspiration to come to me, rather
than going out and creating it.
I think it is important to realize when faced with self-imposed obstacles,
is to remember why I love working in the arts. Simply put, it makes me happy
and gives me a sense of accomplishment. I
try not to let high expectations get in the way of making art.
Do you know what the finished artwork is going to be when you start?
Do
you ever just work from spontaneous impulse?
-
I like to have a
sense of what my finished work will look like, therefore, I plan out my work
focusing on composition and lighting. While I try to control and plan my
work, I have found that when I study the characteristics of my finished
works, that two personal styles surface. My work
seems to have both whimsical and/or ethereal qualities. I have to
focus and work hard to keep these qualities from surfacing in my work. One
of my goals is to become more spontaneous and adopt a more loose approach to
creating art. No matter how whimsical and/or ethereal the finished work may
become.
Do you have a philosophy about producing art?
-
I
believe that our artistic endeavors define us, our culture, and our society.
Working in the arts helps us grow and influence how society views humanity
and how we will be viewed in the future. The arts can help humanity cope and
embrace what we can and cannot control in life. The creative process that we
as artists under go in our pursuit provides a template for creative thinking
in all disciplines from science to medicine to daily challenges.
Do you collaborate with other
artists and if so, how does that happen?
-
I have not
collaborated with other artists since attending college in the arts. This is
a great leading question which I will now pursue.
Do you show your work commercially?
If so where?
Do you produce your art for a living or is it more
of an avocation?
-
I have shown my work
in the both the Corrales and Alameda Studio tours, Corrales Holiday Fine
Arts show, Corrales Fine Arts
Show, Encantada Painting Exhibition, and the Old Church Fine Arts show.
I currently have work showing at some of the Range Café Restaurants,
The Hispano Chamber of Commerce, and The Yucca Gallery in Old Town.
-
I produce my art as an avocation.
What advice would you give aspiring artists entering the field?
-
Artists of all ages entering the field should try to find a passion in a
medium and subject matter. Pursue your passion as long as the passion and
happiness it brings you lasts. Don’t let critics discourage you from
pursuing your artist passion. Once you find your passion try to learn
something every day and develop your skills. Realize that if you work hard
and follow your passion that someday you will surprise yourself, and
possibly many others, with your incredible talent.
What else do
you want to say to help introduce you and your work to our readers?
-
If you should happen
to see my work, I hope that it brings you at least a fraction of the
happiness viewing it that it brings
me making it.
-
Support the Arts.